All Francisco de Zurbaran Oil Paintings
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Francisco de Zurbaran Teller mit Zitronen, Korb mit Orangen und Tasse mit Rose oil painting


Teller mit Zitronen, Korb mit Orangen und Tasse mit Rose
Painting ID::  84133 		Artist: Francisco de Zurbaran
Painting: Teller mit Zitronen, Korb mit Orangen und Tasse mit Rose
Introduction: Date 1633(1633) Medium Oil on canvas Dimensions Deutsch: 60 x 107 cm cjr
   
   
     

 

 

 
 

 

 

 
Francisco de Zurbaran Apotheose des Hl. Thomas von Aquin oil painting


Apotheose des Hl. Thomas von Aquin
Painting ID::  84480 		Artist: Francisco de Zurbaran
Painting: Apotheose des Hl. Thomas von Aquin
Introduction: Date 1631(1631) Medium Oil on canvas cjr
   
   
     

 

 

 
 

 

 

 
Francisco de Zurbaran Hochaltar des Kartauserkloster Nuestra Senora de la Defension in Jerez de la Frontera, Szene: Hl. Lorenzo oil painting


Hochaltar des Kartauserkloster Nuestra Senora de la Defension in Jerez de la Frontera, Szene: Hl. Lorenzo
Painting ID::  84750 		Artist: Francisco de Zurbaran
Painting: Hochaltar des Kartauserkloster Nuestra Senora de la Defension in Jerez de la Frontera, Szene: Hl. Lorenzo
Introduction: c. 1638 Medium Oil on canvas Dimensions Deutsch: 60 x 79 cm cjr
   
   
     

 

 

 
 

 

 

 
Francisco de Zurbaran Retrato del doctor Juan Martenez Serrano oil painting


Retrato del doctor Juan Martenez Serrano
Painting ID::  85095 		Artist: Francisco de Zurbaran
Painting: Retrato del doctor Juan Martenez Serrano
Introduction: 1631-40 Medium Oil on canvas Dimensions 193 x 107 cm (76 x 42.1 in) cyf
   
   
     

 

 

 
 

 

 

 
Francisco de Zurbaran Der Hl. Hugo im Kartauserkloster, Detail oil painting


Der Hl. Hugo im Kartauserkloster, Detail
Painting ID::  85323 		Artist: Francisco de Zurbaran
Painting: Der Hl. Hugo im Kartauserkloster, Detail
Introduction: Date 1630-1635 Medium Oil on canvas cjr
   
   
     

 

 

 
 

 

 

 
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     Check All Francisco de Zurbaran's Paintings Here!
     1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art.. . Related Artists to Francisco de Zurbaran : | ASPERTINI, Amico | Nagy Istvan | Bernardini Luini | Paye, Richard Morton | Giuseppe Abbati |

 

 

 
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